Not Quite Dead Yet

A sharp, twisty thriller where the real suspense isn’t ghosts or gore, but the dread of knowing exactly when your time will run out.

Not Quite Dead Yet

by Holly Jackson

Holly Jackson does it again — this time with a murder mystery where the victim gets to investigate her own death.

The Quick Look

Original, captivating, and un-put-downable, Not Quite Dead Yet throws readers into a week drenched in suspense. After a traumatic head injury, Jet wakes up in the hospital and learns she has a fatal brain aneurysm—seven days before it kills her. As she races to unravel the truth about what really happened the night she “died,” old friendships are rekindled, relationships are fractured, and beneath the tension and twists lies a story about self-acceptance and courage.

  • Release Date: July 22, 2025
  • Pages: 400
  • Genre: Murder Mystery
  • Themes: self-love, truth vs. perception, family fractures, friendship, mortality, courage
  • Read if you like: 
    – The Only One Left by Riley Sager
    – Famous Last Words by Gillian McAllister
    – Beautiful Ugly by Alice Feeney
  • Best for: Readers who want thrillers laced with dread and heart in equal measure
  • Skip if: A ticking-clock narrative about living with the certainty of death feels too heavy

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The Full Review

PLOT & PACING
From the moment Jet’s murder happens to the final reveal, the ticking clock of her expected aneurysm keeps the story urgent. This murder mystery is layered with plenty of Jackson’s trademark twists, but the dread of knowing Jet’s time is running out gives the book its relentless drive.

CHARACTER & VOICE
Jet is the absolute standout. You can’t help but fall in love with her self-deprecating humor that slowly transforms into real self-love, and her false bravado that cracks open into genuine courage. Her dynamic with Billy adds both levity and depth, showing how much we hide behind our facades until life (or death) forces us to be real. Secondary relationships add heartache and bittersweetness as friendships are rekindled and others are lost forever.

STYLE & ATMOSPHERE
Jackson balances dread and urgency with her sharp, accessible style. The result is cinematic — snappy dialogue and darkly funny moments punctuate the heavy subject matter, keeping the story from sinking under its own weight.

THEMES & DEPTH
At its core, this isn’t just a “whodunit.” It’s a meditation on identity, mortality, and the courage it takes to live authentically — especially when you’re forced to stare down your own ending. The layers of family, friendship, and self-discovery give the thriller real emotional heft.

PERSONAL TAKE
This one hooked me hard. It’s twisty and fun, but what really stayed with me was Jet’s voice: vulnerable, funny, brave. The murder mystery is satisfying, but the real payoff is watching Jet and Billy discover who they truly are beneath their own facades—and learning to be bold enough to pave their own way.

The Final Verdict

Dark, witty, and steeped in dread, Not Quite Dead Yet is more than just a thriller —
it’s a story about learning to love yourself, even when your days are numbered.

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The Amalfi Curse

Set against the glittering backdrop of Italy’s Amalfi Coast, The Amalfi Curse delivers a dual-timeline tale of nautical archaeology, ancient magic, and star-crossed love. Sarah Penner weaves history and folklore into a breezy adventure that flirts with fantasy but ultimately favors romance over revelation.

The Amalfi Curse

by Sarah Penner

Along the Amalfi Coast, the sea has a memory—and it never forgets.

The Quick Look

Set against the glittering backdrop of Italy’s Amalfi Coast, The Amalfi Curse delivers a dual-timeline tale of nautical archaeology, ancient magic, and star-crossed love. Sarah Penner weaves history and folklore into a breezy adventure that flirts with fantasy but ultimately favors romance over revelation.

  • Release Date: April 29, 2025
  • Pages: 325
  • Genre: Historical Fiction/Mystery
  • Themes: Ancestral magic, legacy, grief, underwater archaeology, love as healing
  • Read if you like: The Lost Apothecary, books with sea witches and shipwrecks, dual POV narratives
  • Best for: Fans of immersive coastal settings and soft magical realism
  • Skip if: You want a fast-paced thriller or a more satisfying high-stakes conclusion

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The Full Review

PLOT & PACING
The story alternates between Haven Ambrose—a modern-day underwater archaeologist searching for treasure located by her late father—and Mari DeLuca, a 17th-century sea witch, descended from the mythological sirens, trying to save her village from looters and pirates. The early chapters promise intrigue and a moody Mediterranean mystery, but as the plot unfolds, the stakes begin to soften. The final act leans heavily into sentimentality, with a climax that feels more like a moral lesson than a satisfying payoff. Still, the premise is fun, and the journey offers enough sparkle to carry readers along.

CHARACTER & VOICE
Haven is easy to root for: smart, driven, and grieving. Her story is the stronger of the two timelines, grounded in real-world urgency and peppered with academic ambition. Mari’s chapters, while romantic and magical, sometimes feel underdeveloped by comparison. Villains like Conrad and Gage could have been explored more deeply—they had the potential for real tension but remained fairly one-note. Meanwhile, the Fratelli Mazza, the brothers who dominate black market trade in the Amalfi Coast during Mari’s time are quite nefarious. Holmes, Mari’s lover, exists mostly as a device. Still, Haven’s growth and emotional arc provide a solid anchor for the novel.

STYLE & ATMOSPHERE
Penner’s style is lush and accessible, bringing Positano’s cliffside beauty and underwater mysteries to life. The sea is practically a character in its own right—brimming with power, myth, and secrets. The chapters flow smoothly, and while the romantic thread feels a bit obvious at times, the setting and structure carry the weight. It’s a breezy read with flashes of magic and wonder.

THEMES & DEPTH
Grief, legacy, and the question of what we inherit—emotionally and spiritually—run deep here. The concept of stregheria (sea witchcraft) is intriguing, and Penner makes it feel plausible without overexplaining. But the deeper questions—about greed, exploitation, and who gets to control history—don’t get quite enough exploration. The ending, while warm, feels a bit too tidy, with the final message landing somewhere between Hallmark and happily-ever-after.

PERSONAL TAKE
As someone who loved The Lost Apothecary, I enjoyed the familiar structure and tone. I was especially drawn to Haven’s underwater exploration and the archaeological elements—I just wish there’d been more of it. Less romance, more ruins. The setting was a dream, and I wanted to spend more time diving with Haven, dodging danger, and piecing together the mystery. Still, there’s a charm to how Penner spins magic along the gorgeous Amalfi Coast.

The Final Verdict

A sun-drenched escape with a touch of magic and mystery. The Amalfi Curse doesn’t quite stick the landing, but the journey—full of shipwrecks, secrets, and sea witches—is a lovely one.

"Sometimes, the greatest treasure to be found is... love."
The Amalfi Curse by Sarah Penner
The Amalfi Curse
by Sarah Penner
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That’s Not My Name

A gripping ride through gaslighting, memory, and survival—That’s Not My Name is what happens when the villain’s too charming and the truth is just out of reach.

That's Not My Name

by Megan Lally

She doesn’t know her name. But someone out there does — and he’s not letting go.

That's Not My Name

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That’s Not My Name

Megan Lally

Young Adult / Thriller

301

December 26, 2023

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The Quick Look

That’s Not My Name is a razor-sharp thriller full of tension, mind games, and the kind of charming villain that’ll make your skin crawl. With a mystery at its core and a heroine fighting to remember who she is, it’s a fast-paced ride that delivers twist after twist.

  • Themes: Identity, control, memory, trust, power dynamics, resilience
  • Read If You Like
    • A Good Girl’s Guide to Murder by Holly Jackson
    • We Were Liars by E. Lockhart
    • Unreliable narrators and eerie suburban vibes
    • Thrillers that blend charm, dread, and suspense
  • Best For: Fans of fast-paced thrillers with emotional stakes and a punchy, satisfying payoff.
  • Skip If: You’re squeamish about gore, or looking for something light and fluffy.

The Full Review

PLOT & PACING
From the first chapter, this book moves. The premise—girl wakes up with no memory and a boyfriend who seems a little too perfect—sets the tension high and never lets it go. Every chapter peels back a layer you didn’t see coming.

CHARACTER & VOICE
You’ll root for Drew from the jump—he’s steady, loyal, and the voice of reason in a gaslit world. And our protagonist? She’s a blank slate with depth, curiosity, and more fire than she realizes. Watching her unravel the mystery of herself is half the thrill.


STYLE & ATMOSPHERE
Lally’s writing is clean, tight, and totally immersive. The tone balances teenage vulnerability with creeping dread, and the setting feels suburban—but with a sinister undercurrent, like something’s always just out of sight.

THEMES & DEPTH
This book tackles control and identity without dragging you into darkness too long. It explores how trauma distorts memory—and how dangerous it is when the people around you try to shape your reality for you.

PERSONAL TAKE
That’s Not My Name is a proper thriller, and I was fully here for every twist. Infuriating at all the right moments, it’s got mystery, heart, and a villain you’ll love to loathe. A cherry-on-top suspense sundae I devoured without regret.

 

The Final Verdict

Fast-paced, frightening, and fiercely satisfying, That’s Not My Name delivers a villain with a smile and a heroine who finds her voice—one terrifying memory at a time.

💀💀💀💀 out of 5 names she never chose.

A Line to Kill

A Line to Kill is an inventive but uneven mystery—intriguing in concept, lacking in execution

A Line to Kill

by Anthony Horrowitz

When a literary festival, a murder, and a fake séance collide, even the author himself can’t write his way out of the mystery.

The Quick Look

Anthony Horowitz blurs the line between fact and fiction, writing himself into this twisty crime novel where an island literary festival becomes the stage for murder. With a unique setting and some clever narrative tricks, the book offers intrigue but drags with slow pacing and flat characters.

  • Release Date: October 19, 2021
  • Pages: 432
  • Genre: Mystery / Crime Fiction
  • Themes: story-telling as performance, the blurred line between reality and fiction, the masks people wear in public vs. in private
  • Read if you like: 
    – Meta-mysteries
    – Slow-burn, detective fiction
    – Quirky, literary settings
  • Best for: Readers who love mysteries with an unusual structure or “author as character” formats
  • Skip if: You need fast pacing, dynamic characters, or high-stakes action to stay engaged

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The Full Review

PLOT & PACING
The premise — an author and detective invited to a literary festival that turns deadly—had plenty of promise. A fake séance and an isolated island setting added originality, but the pacing dragged. The murder mystery takes a while to ignite, and momentum never fully picks up.

CHARACTER & VOICE
Here’s where the book stumbles most. Many characters felt one-dimensional, with limited growth or depth. Horowitz’s decision to write himself into the narrative was fun at first, but it couldn’t make up for the lack of compelling supporting voices.

STYLE & ATMOSPHERE
The writing was competent and occasionally clever, especially in its meta flourishes. The island setting was evocative, creating an isolated, almost claustrophobic mood that worked well for the mystery. Still, the prose didn’t quite sparkle.

THEMES & DEPTH
The novel plays with the idea of performance — whether through a staged séance, the curated image of authors at a festival, or the author inserting himself into the story. But beyond those gestures, it doesn’t dig too deeply.

PERSONAL TAKE
It took some effort, but I finished it. While there were elements I found genuinely intriguing, the flat characters and sluggish pacing meant I was more relieved to be done than eager for more.

The Final Verdict

A clever premise and atmospheric setting can’t quite make up for one-dimensional characters and uneven pacing.
A curiosity for fans of meta mysteries, but not essential reading.

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End of Story

When reclusive crime writer Sebastian Trapp invites Nicky Hunter to help finish his memoir, she thinks it’s the opportunity of a lifetime. But as she digs into his past, Nicky starts to wonder if she’s documenting a confession, not a legacy.

End of Story

by A.J. Finn

A proper mystery that delights in baffling you at every turn.

The Quick Look

A.J. Finn’s End of Story is a taut, atmospheric mystery drenched in secrets, unreliable memories, and the blurred line between fact and fiction. Every theory you come up with? Wrong. And that’s half the fun. With richly drawn characters, a shadowy estate full of secrets, and even a stuffed-bulldog platoon that deserves its own fan club, this is a puzzle box of a novel that entertains as much as it unnerves.

  • Release Date: January 14, 2025
  • Pages: 416
  • Genre: Mystery / Psychological Thriller
  • Themes: truth vs. perception, literary legacy, the price of secrets, guilt, obsession
  • Read if you like: 
    – Locked-room mysteries
    – Books within books (meta storytelling)
    – Characters who may not be what they seem
  • Best for: Readers who love twisty, stylish mysteries that nod to Christie & Highsmith
  • Skip if: You dislike ambiguous characters or narratives that play coy with the truth.

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The Full Review

PLOT & PACING

From the first page, End of Story toys with your assumptions. Every clue feels like an answer—until it isn’t. I had my theories, but A.J. Finn toppled them one after another with skillful reveals and perfectly timed twists. The pacing balances slow-burn tension with gasp-worthy moments, leading to a finale that is as shocking as it is satisfying.

 

CHARACTER & VOICE

The cast is delightfully developed, from Sebastian Trapp—magnetic, manipulative, and endlessly fascinating—to Nicky Hunter, whose skeptical narration keeps us tethered to reality. The secondary characters bring equal intrigue, whether they’re hiding secrets or revealing inconvenient truths. And then there’s Watson, the stuffed bulldog platoon with a gaze so intense it deserves honorary detective status.

STYLE & ATMOSPHERE

Finn delivers prose that is sleek, sly, and cinematic. The atmosphere drips with gothic richness — stormy nights, sprawling estates, whispers behind closed doors. Every chapter feels staged like a scene from a Hitchcock film, with details that are as playful as they are sinister.

THEMES & DEPTH
Beyond the smoke and mirrors, you’ll find an examination of the narratives that define us—what stories people tell about themselves, and which stories others will tell when they’re gone. It also digs into the slipperiness of truth and the seduction of storytelling itself: how narrative can shape, twist, or obscure reality.

PERSONAL TAKE

I loved this book—five stars, no hesitation. Every time I thought I had cracked the mystery, Finn proved me wrong in the best way. The characters are compelling, the setting is ethereal and suspicious, and the atmosphere never lets up. This is a proper mystery novel: immersive, clever, and prepared to thrill you at every psychological turn.

The Final Verdict

End of Story is a masterclass in mystery: stylish, baffling, and endlessly entertaining. Come for the locked-house intrigue, stay for the stuffed bulldog squad, and prepare to be thoroughly, joyfully fooled.

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The Last Murder at the End of the World

In The Last Murder at the End of the World, Stuart Turton blends post-apocalyptic survival with locked-room mystery—resulting in a cerebral, genre-defying novel that’s equal parts science fiction and whodunit. If The 7½ Deaths of Evelyn Hardcastle left you spinning (in a good way), prepare for another wild ride.

The Last Murder at the End of the World

by Stuart Turton

A murder mystery. A dying world. And one final truth left to uncover.

The Last Murder at the End of the World by Stuart Turton

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The Last Murder at the End of the World

Stuart Turton

Post-Apocalyptic, Sci-Fi, Mystery

343

May 21, 2024

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The Quick Look

In The Last Murder at the End of the World, Stuart Turton blends post-apocalyptic survival with locked-room mystery—resulting in a cerebral, genre-defying novel that’s equal parts science fiction and whodunit. If The 7½ Deaths of Evelyn Hardcastle left you spinning (in a good way), prepare for another wild ride.

  • Themes: Dystopia, morality, memory, survival, collective guilt
  • Read if you like: Agatha Christie in space, An Absolutely Remarkable Thing, Children of Time, existential sci-fi
  • Best for: Readers who love twisty mysteries and don’t mind working for the payoff
  • Skip if: You want quick answers, linear timelines, or traditional pacing

The Full Review

PLOT & PACING
The world is gone. What remains is a tiny, isolated island governed by a collective intelligence—and bound by rules designed to protect humanity from itself. When the only person capable of maintaining the status quo is murdered, the system begins to collapse.
Turton unspools the mystery with deliberate slowness, building tension through claustrophobia, paranoia, and the erosion of truth. It’s not fast-paced, but the suspense simmers. And if you think you know where it’s going—you don’t.

CHARACTER & VOICE
The characters here are harder to connect with than in Evelyn Hardcastle, but they still shine. Each one is shaped by trauma, guilt, and the pressure of perfection in a society built on suppression. The protagonist’s voice wrestles with memory and morality—how much of the past should be remembered, and at what cost?

STYLE & ATMOSPHERE
Turton’s writing is thoughtful and layered, leaning into mood and slow revelation rather than flash. The atmosphere is eerie and contained—like a pressure cooker ready to blow. Though the sci-fi elements are prominent, it still feels grounded in human emotion, making the strange setting feel surprisingly relatable.

 THEMES & DEPTH
This isn’t just a mystery—it’s a study in control, violence, and moral erosion. What does it mean to protect humanity from itself? Is forgetting the past the only way to secure the future? Turton digs into these questions with chilling clarity, but never sacrifices mystery for message.

PERSONAL TAKE
Drew: I found the pacing slow and the world so layered it was sometimes hard to fully visualize—but the ideas stuck with me. Turton doesn’t spoon-feed anything.
Jenni: It was weird, but weird in a good way. The kind of weird that keeps you thinking long after you finish.
Together, we agreed: this book is frustrating and brilliant, messy and beautiful. And absolutely worth reading.

The Final Verdict

A strange, slow-burning mystery set in a world on the brink of collapse. It’s about memory, morality, and the stories we tell to survive. Weird, wild, and unforgettable.

"'Why doesn’t anybody question anything?' she asks her grandfather, focusing on him once again. 'They like being happy,' he says softly.'"
The Last Murder at the End of the World by Stuart Turton
The Last Murder at the End of the World
by Stuart Turton

Sleep Tight

Set in a Southern town built on secrets (and conveniently, a former prison), Sleep Tight promises high-concept horror but never quite delivers the emotional or narrative weight to make it memorable. While the bones of a chilling thriller are there—sleep clinics, cults, serial killers, unreliable memories—it moves too quickly to make you care.

Sleep Tight

by J.H. Markert

When the nightmare is the story itself.

Sleep Tight by J.H. Markert

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Sleep Tight

J.H. Markert

Thriller; Mystery

321

September 10, 2024

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The Quick Look

Set in a Southern town built on secrets (and conveniently, a former prison), Sleep Tight promises high-concept horror but never quite delivers the emotional or narrative weight to make it memorable. While the bones of a chilling thriller are there—sleep clinics, cults, serial killers, unreliable memories—it moves too quickly to make you care.

  • Themes: Unreliable memory, cults, serial killers, trauma, southern secrets.
  • Read if you like: The Devil All the Time, Doctor Sleep, or fast-paced thrillers that blur reality.
  • Best for: Readers who want quick, creepy reads with Southern gothic flair.
  • Skip if: You need strong character arcs, emotional payoff, or slow-burn suspense… or if you wanna read a good book. Is that mean?

The Full Review

PLOT & PACING
The premise? Intriguing. A sleep clinic sits atop a repurposed prison with a sinister past. There are cults, serial killers, and patients experiencing more than just nightmares. Sounds like a solid setup, right? Unfortunately, the pacing moves so fast that key plot points blur together, and big reveals don’t land with any real weight. Instead of feeling urgent, it just feels rushed.

CHARACTER & VOICE
There are a lot of characters—but few you’ll actually remember. With so much ground to cover and so little time to connect, none of them felt like more than vehicles to move the plot along. The emotional stakes never quite settle in, and even the creepiest characters feel like ideas instead of people.

STYLE & ATMOSPHERE
Markert brings a distinct Southern gothic vibe to Harrod’s Reach, Kentucky, and I appreciated the local flavor. The setting had potential, but it wasn’t fully explored. The writing is clean and competent, but not particularly memorable. At times, it felt more like reading a treatment for a TV show than a fully fleshed-out novel.

THEMES & DEPTH
The book tries to grapple with big themes—memory, identity, trauma—but it barely scratches the surface. Unreliable narrators can be fascinating, but only if you care about them. Without a strong emotional core, the book’s mysteries don’t resonate. Instead of raising questions that linger, it just left me indifferent.

PERSONAL TAKE
I wanted to like this. I’m always down for a story rooted in Kentucky soil, and I typically enjoy dark, Southern-set thrillers. But Sleep Tight just didn’t do it for me. I didn’t care enough about the characters to be invested in the twists, and by the end, I felt more numb than unsettled.

FINAL VERDICT
A creepy concept with Southern flair that races toward its finish line without giving you time to connect. Forgettable, unfortunately.

The Final Verdict

Quick and creepy, but ultimately too shallow to make you care.

All the Dangerous Things

Stacy Willingham’s sophomore novel is another twisty descent into unreliable minds and murky motives. All the Dangerous Things is a slow-burning mystery that explores the price of sleepless nights, fractured memory, and motherhood’s heaviest burdens.

All the Dangerous Things

by Stacy Willingham

She hasn’t slept in a year—and the nightmare’s only getting worse.

All the Dangerous Things by Stacy Willingham

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All the Dangerous Things

Stacy Willingham

Mystery; Thriller

323

January 10, 2023

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The Quick Look

Stacy Willingham’s sophomore novel is another twisty descent into unreliable minds and murky motives. All the Dangerous Things is a slow-burning mystery that explores the price of sleepless nights, fractured memory, and motherhood’s heaviest burdens.

  • Themes: Motherhood, mental health, perception of reality, gaslighting, trauma.
  • Read if you like: The Girl on the Train, Listen for the Lie, unreliable narrators, or true crime podcast vibes.
  • Best for: Fans of psychological thrillers that unravel slowly but pack a punch.
  • Skip if: You need a quick pace, high action, or definitive twists.

The Full Review

PLOT & PACING
Isabelle Drake hasn’t slept well since the night her son, Mason, disappeared from his crib. To keep attention on the case, she’s become a reluctant public figure on the true crime circuit. But the story shifts when a true crime podcaster arrives, forcing Isabelle to confront her past and her own reliability. The plot unfolds across two timelines—one in the present, one from Isabelle’s childhood—both casting doubt on what she knows and what she’s repressing. While the pacing can feel slow, it builds tension with steady unease.

CHARACTER & VOICE
Isabelle is a complex, emotionally frayed narrator. Her desperation and exhaustion feel palpable, and the foggy boundaries of her memory make her both sympathetic and suspect. As the novel explores her history—including the long-buried trauma of her sister’s death—her voice remains the anchor. Secondary characters feel functional, but Isabelle’s inner life is rich and unsettling.

STYLE & ATMOSPHERE
Willingham’s prose is accessible and clean, with just enough lyrical edge to keep things interesting. The tone is claustrophobic and disorienting—perfect for a story about the creeping edges of sanity. The atmosphere walks the line between domestic thriller and psychological horror.

THEMES & DEPTH
At its heart, the novel examines motherhood and memory—how trauma can warp our perceptions and what it means to trust yourself. The interplay between public persona and private pain adds another layer. It also asks: what happens when the only thing you can rely on (your own mind) turns against you?

PERSONAL TAKE
This wasn’t quite as gripping as A Flicker in the Dark, but it had its moments. I liked the misdirection, the layers of memory, and the dual timelines. It reminded me a bit of The Girl on the Train—but less about scandal, more about self-doubt. I didn’t love it, but I appreciated the exploration of maternal grief and fragmented identity. I really wanted this book to explore the critique of the true crime industry a bit more, but that is not this book.

The Final Verdict

A moody, introspective thriller that trades big twists for slow revelations—and keeps you guessing what’s real until the very end.

“But that’s the thing about grief: There is no manual for it. There is no checklist outlining the optimal way to move through it and move on.”
All the Dangerous Things by Stacy Willingham
All the Dangerous Things
by Stacy Willingham

Good Girl, Bad Blood

A powerful, emotionally loaded mystery that asks what happens when the hero can’t save everyone.

Good Girl, Bad Blood

by Holly Jackson

Pip promised she was done solving crimes. But when someone she cares about goes missing — and no one else seems to care — she hits record one last time.

The Quick Look

In Good Girl, Bad Blood, Pip’s back with her mic, her instincts, and a case that hits way too close to home. This time, it’s not about the past—it’s about saving someone in the present. And the clock is ticking.

  • Release Date: March 1, 2022
  • Pages: 416
  • Genre: Young Adult / Mystery
  • Themes: Justice, power, truth, grief, friendship, trauma, media attention and bias
  • Read if you like:
    • Serial or true crime podcasts
    • Missing person cases with emotional stakes
    • Heroes who do the right thing—even when it hurts
  • Best for: Fans of AGGGTM who want a deeper, more personal mystery and a character arc that keeps evolving.
  • Skip if: You’re expecting a repeat of the first book—this one goes darker, and it’s not afraid to hurt.

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The Full Review

PLOT & PACING
This book is a masterclass in slow-drip suspense. Every chapter tightens the mystery, teasing just enough truth to keep you guessing—and then flipping everything on its head. It’s impossible to put down, and once Rachel reappears, so does every single question you thought you had answered.

CHARACTER & VOICE
Pip’s growth is the heartbeat of this book. She’s not the same girl from AGGGTM—she’s seen too much, and it shows. Her relationship with Ravi deepens, and the emotional toll of solving these cases starts to surface. The stakes feel personal, and that makes everything hit harder.

STYLE & ATMOSPHERE
Holly Jackson’s signature blend of fast-paced storytelling, multimedia flair, and dark humor is still here—but with more emotional weight. The atmosphere is tense, but layered with grief, anger, and moral conflict.

THEMES & DEPTH
Good Girl, Bad Blood digs into who gets attention when they go missing—and who doesn’t. It’s a pointed, timely take on media bias and justice, woven into a gripping mystery that still leaves room for Pip’s internal battle.

PERSONAL TAKE
This sequel does not disappoint. It goes deeper, hits harder, and proves Holly Jackson isn’t just writing twisty thrillers—she’s writing smart, urgent commentary wrapped in suspense. I loved it and I’m not ready to say goodbye to Pip just yet.

The Final Verdict

More than a sequel, Good Girl, Bad Blood raises the emotional stakes, sharpens the mystery, 
and cements Pip as one of the most compelling voices in YA thrillers.

💀💀💀💀 out of 5 people the system forgot.

And this time? The truth cuts even deeper.

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A Good Girl’s Guide to Murder

A fierce and fearless mystery that digs up more than just secrets—this one leaves a mark.

A Good Girl 's Guide to Murder

by Holly Jackson

A fierce and fearless mystery that digs up more than just secrets—this one leaves a mark.

The Quick Look

The case is closed.
The killer confessed.
But Pip Fitz-Amobi isn’t buying it — and she’s about to prove just how dangerous the truth can be.

  • Release Date: January 5, 2021
  • Pages: 400
  • Genre: Young Adult / True-Crime Inspired Mystery
  • Themes: Justice, bias, truth-seeking, media perception, racial injustice, obsession, morality
  • Read if you like:
    • True crime podcasts
    • One of Us is Lying by Karen M. McManus
    • Sharp heroines who don’t wait for permission
    • Twists on small-town secrets and high school drama
  • Best for: Anyone who loves a layered whodunit with strong character work, tech-savvy storytelling, and major binge potential.
  • Skip if: You’re looking for something cozy, light, or free of moral gray areas.

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The Full Review

PLOT & PACING
From the jump, this book delivers. Pip’s investigation pulls you in with podcast transcripts, interview notes, and late-night texts—making the mystery feel real-time and razor sharp. The pacing is perfect: equal parts sleuthing and unraveling, with just enough slow-burn dread to keep your stomach in knots.

CHARACTER & VOICE
Pip is the kind of protagonist you root for instantly—relentlessly curious, quietly brave, and refreshingly flawed. Her chemistry with Ravi? Chef’s kiss. And even minor characters feel alive, layered, and suspect in just the right ways.

STYLE & ATMOSPHERE
Jackson mixes traditional prose with multimedia storytelling—emails, reports, texts—which gives the book momentum and an investigative vibe. The tone shifts effortlessly from dark to witty, mirroring Pip’s voice and inner turmoil.

THEMES & DEPTH
This isn’t just about solving a mystery—it’s about what justice looks like in a world that often gets it wrong. The book tackles racial bias, media narratives, and the consequences of digging too deep. It’s thoughtful without being preachy and sharp without losing its heart.

PERSONAL TAKE
This book hooked me. I felt like I was solving it with Pip, second-guessing every clue and suspect. Holly Jackson absolutely nailed the genre with this one—and it’s no surprise it became a phenomenon. I’d follow Pip into any case, even the ones she should’ve left alone…

The Final Verdict

Gripping, gut-wrenching, and packed with true-crime flair, A Good Girl’s Guide to Murder is the YA thriller that raised the bar — 
and buried it six feet deep.

💀💀💀💀💀 out of 5 truths they never wanted her to find.

“I'm not sure I'm the good girl I once thought I was. I've lost her along the way.”
A Good Girl's Guide to Murder
by Holly Jackson
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